{"id":60,"date":"2013-09-08T20:18:06","date_gmt":"2013-09-08T19:18:06","guid":{"rendered":"http:\/\/violedegambe-gresivaudan.fr\/blog\/?p=60"},"modified":"2014-08-23T17:43:49","modified_gmt":"2014-08-23T16:43:49","slug":"fiorenza-trio-baroque","status":"publish","type":"post","link":"https:\/\/violedegambe-gresivaudan.fr\/blog\/?p=60","title":{"rendered":"Fiorenza, trio baroque"},"content":{"rendered":"


\nCONCERT<\/strong>\u00a0Dimanche 15 septembre 2013 \u00e0 17H30<\/em><\/span>
\n \u00e0 la chapelle de La B\u00e2tie \u00e0 Gresse en Vercors.<\/em><\/span>
\n\u00a0<\/span>\"concert<\/span><\/p>\n

Marine Ruhier, clavecin<\/span><\/p>\n

Cyril Manoury, Th\u00e9orbe<\/span><\/p>\n

Nathalie Centonze, viole de gambe<\/span><\/p>\n

<\/strong><\/em><\/p><\/blockquote>\n

Le trio Fiorenza se consacre au r\u00e9pertoire baroque autour des instruments, th\u00e9orbe, clavecin, viole de gambe que l’on rencontre le plus souvent dans le groupe de basse continue et dans une fonction d’accompagnant.\u00a0<\/i><\/span><\/div>\n
On trouve ici des pi\u00e8ces solo, des duos et des pi\u00e8ces en trio qui mettent en valeur la caract\u00e9ristique et le timbre de chacun mais aussi un trio feutr\u00e9 et entrem\u00eal\u00e9… \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Robert De Vis\u00e9e, Jean-Baptiste Forqueray, Fran\u00e7ois Couperin, Marin Marais…<\/i><\/span><\/div>\n
Le trio explore ce r\u00e9pertoire dans une couleur m\u00ealant cordes pinc\u00e9es et cordes frott\u00e9es, \u00e0 la recherche des nuances, des constrastes, n\u00e9cessaires \u00e0 l’expression des sentiments d\u00e9peints, “la lugubre”, “la t\u00e9n\u00e9breuse”, “la favorite”, \u00a0“allemande grave”, ou encore “la r\u00eaveuse”…<\/i><\/span><\/div>\n
\u00a0<\/i><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

CONCERT\u00a0Dimanche 15 septembre 2013 \u00e0 17H30 \u00e0 la chapelle de La B\u00e2tie \u00e0 Gresse en Vercors. \u00a0 Marine Ruhier, clavecin Cyril Manoury, Th\u00e9orbe Nathalie Centonze, viole de gambe Le trio Fiorenza se consacre au r\u00e9pertoire baroque autour des instruments, th\u00e9orbe, … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":62,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_s2mail":""},"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/violedegambe-gresivaudan.fr\/blog\/index.php?rest_route=\/wp\/v2\/posts\/60"}],"collection":[{"href":"https:\/\/violedegambe-gresivaudan.fr\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/violedegambe-gresivaudan.fr\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/violedegambe-gresivaudan.fr\/blog\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/violedegambe-gresivaudan.fr\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=60"}],"version-history":[{"count":3,"href":"https:\/\/violedegambe-gresivaudan.fr\/blog\/index.php?rest_route=\/wp\/v2\/posts\/60\/revisions"}],"predecessor-version":[{"id":184,"href":"https:\/\/violedegambe-gresivaudan.fr\/blog\/index.php?rest_route=\/wp\/v2\/posts\/60\/revisions\/184"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/violedegambe-gresivaudan.fr\/blog\/index.php?rest_route=\/wp\/v2\/media\/62"}],"wp:attachment":[{"href":"https:\/\/violedegambe-gresivaudan.fr\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=60"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/violedegambe-gresivaudan.fr\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=60"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/violedegambe-gresivaudan.fr\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}